Little by little, we see the heroine growing up and her outlook on life broadening. Eventually, she starts to wonder how she will fit back into her old life, her job, her family.
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While she has moved forward and away from it all, those things have stayed the same. Along with this change of outlook, has come independence and assertiveness. Interesting look at depression with the knowledge of science of Burchell's time.
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According to Burchell, having a sense of purpose and knowing that someone cares what happens to them is one of the best ways to lift someone out of melancholy. Clearly, this is for borderline depression, not major, clinical depression. The hero has lived with the portrait of a young girl for many years, and she brings him joy and peace and challenges him in his day-to-day living. He's gotten used to talking to her.
I love how Burchell has the fine arts provide solace and excitement to her protagonists in her various books. So when the hero meets the real-life, grown-up girl, our heroine, he is charmed by her. But he is engaged elsewhere, and wishes to continue with that engagement and marry that girl. At no point does he transfer his affections to the heroine, who, in the meantime, gets engaged to someone else.
The big issue with the book is pacing—I know for a Burchell, this is rare. But this book really needed to be a longer book in order to make the end work. There needed to be room in the book for the hero and heroine's romantic arc. This is so totally not like Burchell that it was a disappointment. This is not to say that the characters themselves are not interesting or the plot isn't well done, it's just that the structure of the story needed to be different.
The heroine is really downtrodden: She's running for her life from her cruel relations in pouring rain and cold, when the doctor hero stops to give her ride. A trained nurse reduced to backbreaking housework not of her own choosing—that is what she'd been reduced to. But he gives her a new start in life, not through charity which would've been oppressive, but by instilling pride in herself by employing her to do what she enjoys doing and is good at: nursing.
He calls her a "thin mouse," and in the beginning, that is true of her physical self from starvation and of her mental self from the abuse. But as the story moves on, you see her gaining weight as a metaphor for gaining an appreciation for how she looks, and speaking up with authority as a metaphor for being grounded in herself, her self-worth, and her confidence. As with the Burchell above, competence and a sense of purpose are what turn her away from despondency in life into fully participating in life.
Read this wonderful review to know all things about the book. One excellent comment they make, which is why I like this Neels heroine very much, is: "She may be thin and small but when she fell in love she didn't lose her backbone. Some Neels heroines do tend to be doormats when the hero's influence grows in their life. Not this heroine! And it was great to see the arrogant doctor be vulnerable and unsure. This is a rare Neels hero who isn't completely in charge with an amused smile all the time.
He suffers doubts, unrequited love, jealousy, frustration—in short, he is normal. A side note the above review also makes is that Neels always describes the food in her books in great detail. Her characters tend to eat plenty of delicious meals, which she describes in full.
And drink gallons of coffee and tea. A pot of tea before sleeping. Cup of coffee before bed.
Cogitations and Meditations by Keira Soleore
Ridley has spun the "matchmaker falling for the match-makee" trope on its head by making the duke the matchmaker with a string of successes to bolster his belief in being able to find a match even for a wallflower. Well, the wallflower is not all that she seems. She swoops in to save ordinary people being scammed by corrupt businessmen.
I liked how smart and independent the heroine is—this is a great story of feminism thriving under the shackles of patriarchy. I also really liked how thoughtful and respectful the duke is to everyone around him—no doubt his humble beginnings account for his lack of a top-lofty attitude. Ridley plays fast and loose with historical accuracy and some of her plot points require a large leap of faith that I was not always capable of making, but overall, this was an enjoyable read, which Ridley always delivers.
The protagonists, in themselves, are lovely people, and their slow-build friendship is likewise lovely. The author does a good job of showing how the heroine has survived her trauma by making her life very small and how the hero is a man of sensitivity and care, whether it comes to spooked horses or traumatized women. Some of their moments together are really sweet. However, the two protagonists have so much stacked against them, that the fact that they're dealing with so much and yet managing a love story is admirable. And yet, the author doesn't convincingly show how they're successfully overcoming their trauma and arriving at their HEA.
Here are some of the other problems in the book: —Lyndon B. Johnson was a racist. No Black parent would name their child for him. This is not plausible.. While, yes, the way the autoimmune diseases react are different from each other, but they are not related and that depiction is a bad choice.
senjouin-renshu.com/wp-content/2/3528-como-ver-los.php Nothing happens in one fell swoop, not even exposure therapy, which is how some authors show it with sex scenes between the heroine and hero. One sex encounter isn't going to do it. In it, Adichie talks about how "feminist" has become a dirty work of extremism in our culture, one thrown out as an accusation rather than a laudation. It is neither. It is simply as its definition says: A person who believes in the social, political, and economic equality of the sexes. We internalize ideas from our socialization.
Nigerian culture, as does American culture, privileges men and their fragile egos over the wishes and dreams of women and proceeds to erase women and make them invisible. You can ambition, but not too much; you can be successful, but not too much; otherwise, you will threaten the man. But now, when intelligence, knowledge, experience, creativity, innovation are the criteria for success, the different between men and women do not exist.
However, our normal still privileges the male gender; girls still examine their lives and choices through the male gaze.
Adichie says that at the same time, "we do boys an injustice in how we raise them. We define masculinity very narrowly—to be hard men, Nigerian-speak—and we teach boys to be afraid of fear, of weakness, of vulnerability, of being their true selves. We are raised to expect so little of men that the idea of men as savage beings with no self-control [in the case of rape] is acceptable. How many times in recent years have we heard this about race? By not thinking about gender, they assume things are better now for females and do nothing about it, even when they see injustice happening.
They're self-congratulatory in not being sexist, but their passivisity is sexism itself.
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Once she wrote an article about gender differences and was accused of being angry, and she agrees it was angry, because "gender differences are a grave injustice. We should all be angry.
Anger has a long history of bringing about positive change. Is all the anger and vitriol visible on Romance Twitter really bringing about social change, or is it merely setting people's backs up? Isn't there a more intelligent way of debating to get your point across? Most people are resistant to change if change is crammed down their throats. More success will be had by appealing to their humanity. I will be vilified on Romance Twitter for saying this, but I needed to say this in my space.
After all, Gandhi was famous for his non-violence movement that not only brought about great social change but also independence for India. Martin Luther King Jr was greatly influenced by Gandhi, though his approach was different. The story of Siuluk, one of the last of the Tuniit living in Nunavut, has been passed down generation after generation in Sammurtok's family and community.
The Tuniit were said to be the gentle giants of the North. Siuluk was often told that he was the last tuniq very strong man alive. Siuluk was a friendly man who preferred to live quietly alone, not far from an Intuit village.
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Unfortunately for Siuluk, unkind people from the village often teased him unmercifully about his size, his way of life, and his strength.